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May 2008

R.I.P. Norma Schlesinger.

from the SF Chronicle obit: “An assistant professor of art history at Sonoma State in the 1970s, she also worked as a curatorial assistant at the San Francisco Fine Arts Museums' Achenbach Foundation for Graphic Arts. Ms. Schlesinger was an active museum patron and philanthropist who over the years sat on the boards of the Berkeley Art Museum, the San Francisco Art Institute, the Louis B. Leakey Foundation and other organizations, as well as many committees and forums at the San Francisco Museum of Modern Art.

“Norma was a woman who loved life and lived it very fully,” said Tom Freudenheim, a former director of the Baltimore Museum of Art…

Ms. Schlesinger recommended him for the post of assistant director of Cal's then-new art museum in the late 1960s. Her husband at the time was the museum's founding director, art historian Peter Selz. She and Freudenheim had met a few years earlier as fellow graduate students at New York University's Institute of Fine Arts.

“Norma really cared about art, and about the artists,” Freudenheim said. “She was friends with a lot of interesting people and had a kind of salon. She liked putting people together with other interesting people.”

The Other Night Sky.

The feature I did with Berkeley's Trevor Paglen is in the May 31 edition of the San Francisco Chronicle. Go out and buy a copy.

In the meantime here's the tease:

"Up in our darkened sky, sinister objects lurk.

They are not the vehicles of some alien life form bent on destroying humankind, though many do look like props from a sci-fi film. Some are so large they could engulf three football fields.

For four decades, the United States has been filling the outer reaches of our atmosphere with 189 reconnaissance satellites. And for several years, artist-geographer Trevor Paglen has been keeping his eye on them. (Paglen was named last week as one of four recipients of the San Francisco Museum of Modern Art's Society for the Encouragement of Contemporary Art Awards, which come with a cash prize and a show at the museum in 2009.)

"The Other Night Sky," which opens Sunday at the Berkeley Art Museum, is a result of Paglen's nocturnal efforts."

Read the rest in the Chronicle.

Mission of Burma's "That’s when I reached for my revolver."

Hex-static.

From Jacob and Jane Zook's "Hexology":

"Originally religious refugees form the countries bordering the Rhine, these people the Amish, Mennonites, Lutherans, Reformed, Dutch Quakers, French Huegenots and other groups came to America seeking religious freedom promised by William Penn. They landed at Philadelphia and then the great majority migrated westward to Penn’s land of southeastern Pennsylvania.

From this melting pot of people, free to worship, free to work and free to create merged the homogeneous culture of the Pennsylvania Dutch. And from the culture came a true folk art.

The tulips, the lilies, the pelicans and the hearts of the folk artist were not the naturalistic flowers of the fields and birds of the land, but the images created from man’s subconscious, his love of God, and his dream of the mystical lily that blooms in all the ends of the earth. Between these symbolic designs and the literary traditions, the hymnals, the bible and the poems there existed a direct association. So then, the flowers were those that grew in the garden of Paradise.

The images were found tooled into the leather of the family bible, on taufscheine (birth certificates), on the illuminated manuscripts from the Ephrata Cloister, embroidered on linens, cast into iron stove plates and trivets, pierced into tinware, and onto the sgraffitto pottery, cut into the tombstones, painted on the dower chests and the huge bank barns.

The Amish and Mennonites and the other plain sects never had “Hex Signs” painted on their barns….
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The big, beautiful, colorful, geometric design were found on the barns of the Lutherans,  Reformed and other church people. The designs are made up of whirling swastikas, tear drops, stars and rosettes.
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Landis Valley Farm Museum has a collection of utilitarian objects marked with the sign of the cross. Among the collection is a door latch with crosses on the handle bar supposedly to prevent the entry of the devil’s emissaries. The late Henry Landis, one the co-founders of the Museum speaking of Hex Marks as Talismans has said, “So we find today a widespread belief in hexeries, braucherei, powwows, hexa marrik, gruttafoos (witchcraft, healing without medicines, powwowing or healing by words and motions, marks placed to ward off spells, and so on). With this belief goes a profound faith in signs, symbols, and the formulas of the pow wow doctors.”

George Korson speaking of a barn in Schuylkill County said, “The barn had crudely carved crosses on the overhand and on doors leading to the stalls. They were accompanied by the phrase, “In the name of the Father, the Son and the Holy Ghost. The carvings were the work of amateur, the farmer himself perhaps, invoking the blessing of the Holy Trinity on his cattle.”

The Pennsylvania Dutch were and are a very religious people and also were and are a very superstitious people."
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Keehn covers Pettibon.

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Steve Keene  just finished up a quartet of paintings based on Black Flag Album covers, three of which featured Raymond Pettibon drawings. I don't think there is a term for this. Well, actually, I guess post-modern would sum it up.

btw if you bid on these I will kill you. Ha ha, just kidding. No, really I'm buying these so go away.

Indecision.

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My alma mater wants me to donate some of my loot to their new campus campaign.

But as you can see from this chart, the naming possibilities seem to be endless - do I want my moniker on a student locker? A painting rack? A planter?  The casting shop? A conference room?Maybe a glass bench? Wow.

Hmmmm. Hmmm. Hmm, this is such a tough decision, I think I'll just keep my money.

Galaxy 500's "Ceremony" (live).

New Order's "Confusion."

from 1987 (with Arthur Baker on the boards.)

This just in.

Charles Campbell Gallery moves to the Mission, changes its name and reopens on June 22.

From the press release: "Located at 461 Valencia Street, between 15th and 16th Streets, ArtZone 461 features 3,000 square feet of exhibition space, 14 ft. ceilings, a 100 ft. long brick wall, an extensive Art library, a generous flat file area, plenty of natural light and a friendly, knowledgeable and professional staff.

Owners Steven Lopez and Eric Koehler bring to this venture a generation of experience as collectors, gallery owners and partners (since 1982).  Lopez formerly owned the historic Charles Campbell Gallery (1972–2008)."

Hmm, a 100 ft. long brick wall. Huh. Now that's something.

 

Two bits (Hipster alert edition).

1. Since Columbia Records can no long make enough money from their music they are setting up shop to sell the classic images -- shot by their staff photographs (including Don Hunstein) -- of musicians who helped make the company famous. You know, Miles Davis, Bob Dylan, Sly Stone et al. Rest of story is here.

The selling of something cool or authentic seems somehow related to this SF show.

2. Oh, surprise. Another artist tries to BS the art world. And gets called on it. (via AFC)

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